In June 2025, after being recommended by Ruary Macphie I was asked by Vis-a-Vis to help capture the Deftones concert supported by Weezer, High Vis and others at Crystal Palace Park in London. Throughout the day, I operated a Blackmagic Ursa G2 with a long lens at FOH, as camera 1 focused solely on the lead singer Chico, followed vision director Kieth Blackard's instructions for specific shots as well as helped during remote camera setup and signal routing from the Blackmagic Videohub matrix to other monitors. This experience tested my camera skills keeping shots steady despite a shaky platform and taught me more about how these video mixing rigs are constructed that run the show on stage.In June 2025, after being recommended by Ruary Macphie I was asked by Vis-a-Vis to help capture the Deftones concert supported by Weezer, High Vis and others at Crystal Palace Park in London. Throughout the day, I operated a Blackmagic Ursa G2 with a long lens at FOH, as camera 1 focused solely on the lead singer Chico, followed vision director Kieth Blackard's instructions for specific shots as well as helped during remote camera setup and signal routing from the Blackmagic Videohub matrix to other monitors. This experience tested my camera skills keeping shots steady despite a shaky platform and taught me more about how these video mixing rigs are constructed that run the show on stage.