Produced and operated a recurring unscripted live show broadcast simultaneously to YouTube, TikTok, Twitch and Restream from a London studio. The technical setup comprised five Blackmagic Studio Camera angles, an ATEM Television Studio HD mixer controlled via Streamdeck and Bitfocus Companion, vMix for streaming, five Shure SM7B microphones, and live graphics delivered through Socialstream and Singular.live. The show's unscripted format demanded split-second workflow prioritisation and airtight technical preparation for every broadcast.
Captured the 10 Years of Choose Love charity concert at the Royal Albert Hall for Vis-a-Vis, operating a Blackmagic Ursa Broadcast G1 with a Canon CJ zoom lens via SMPTE fibre cable from backstage. Working within the complex logistics of a large-scale multi-camera live show, I delivered a combination of tripod-based wide shots and handheld coverage, coordinating with other departments to find the best available angles without interfering with the production on stage.
Filmed back-to-back winner and sponsor interviews at both the British Arrows Awards 2025 — hosted by Ed Gamble at The Grosvenor Hotel — and the Young Arrows Awards 2025 — hosted by Reggie Yates at HERE at Outernet. Operating the Sony FX6 with a wireless Sony UTX-H2 and Sennheiser MKH-60 backup, I lit each interview using FalconEyes panels, an Amaran 300c and a Zhiyun Molus G200, exchanging CF Express Type A cards directly with editors for same-day turnaround. When a fellow videographer arrived without a microphone, a spare lav from my kit ensured nothing went unrecorded.
Delivered a live broadcast link from Magdeburg — one of fourteen global satellite locations — connecting 12,000 Bauer Media employees across Europe for the company's 150th anniversary celebration, which featured performances from Loreen, Sophie Ellis-Bextor and David Guetta. The setup included a Peplink router, a Magewell SRT Encoder for outbound signal to London, a Magewell Decoder to return the show mix for local screen display, presenter microphone, Unity Intercom for myself and producer, and a Sony Z-190 for B-roll and handheld floor coverage during live performances. My camera work during the event was called out directly by show camera director Ollie Bartlett on comms.
After being recommended to Media Powerhouse, I broadcast live interviews with McLaren F1 drivers from the McLaren garage at Silverstone to a public audience in Trafalgar Square, London. The setup ran vMix with a Focusrite 2i2 interface and Magewell HDMI Plus capture card, with continuous monitoring of the call feed throughout — a broadcast that went without fault from start to finish.
Deployed by Creative Technology to rack cameras at Wireless Festival 2025 in Finsbury Park — a three-night event headlined by Drake and featuring Burna Boy, Vybz Kartel and Summer Walker. I controlled four Panasonic AK-HRP1000 remote heads commanding independently operated Panasonic cameras covering FOH, thrust and two stage positions across the full festival run.
Camera 1 operator at FOH for the Deftones concert at Crystal Palace Park — supported by Weezer and High Vis — for Vis-a-Vis, shooting lead singer Chino Moreno exclusively on a long lens from a Blackmagic Ursa G2. In addition to live camera operation under vision director Kieth Blackard, I assisted with remote camera setup and signal routing through the Blackmagic Videohub matrix during the build.
Vision mixed the Elephant Family: Wonders of the Wild gala at Temperate House, Kew Gardens — attended by King Charles III, Queen Consort Camilla, Ronaldo and Ed Westwick, with performances by Sophie Ellis-Bextor and Gok Wan as DJ. I configured and operated a Blackmagic ATEM HD8, managed two PowerPoint presentation sources and a MacBook Pro for video playback, and routed signals across six 85" displays via a Blackmagic Videohub 10x10.
Returned to broadcast the Burberry Winter 2025 runway show live to TikTok during London Fashion Week — attended by Rosie Huntington-Whiteley, Geri Halliwell, Brooklyn Beckham, Nicholas Hoult, Orlando Bloom, Ncuti Gatwa, Charlie Heaton and Natalia Dyer. Main and backup feeds from the OB truck were managed via vMix, with the full show recorded for post-show looping.
Broadcast the Jeff Beck: The Guitar Collection auction live to YouTube from Christie's HQ in London — a nearly seven-hour sale that raised over £8 million, drew 80,000 views and peaked at 5,000 concurrent viewers. A Matrox HDX Dual-Channel H.264 Encoder handled the primary stream, with a parallel vMix feed running to YouTube's backup server for full redundancy across the duration of the sale.
Broadcast the Burberry Winter 2024 runway show to TikTok during London Fashion Week — attended by Joanna Lumley, Anna Wintour, Olivia Coleman, Lily Allen, Jourdan Dunn and Bukayo Saka — accumulating over 175,000 likes on the platform. A mid-show rights issue required a live switch to a pre-cleared music track on cue following the Universal vs. TikTok dispute, with the recorded show looped post-broadcast. Returned in September 2024 for the Burberry Summer 2025 show — attended by Anna Wintour, Rio Ferdinand, Jack Harlow, Damon Albarn and Skepta — handling broadcast, recording and post-show looping throughout.
Supervised video production across two dates on the Sam Smith festival tour — Solidays in Paris and Lido Sounds in Linz — production managed by Wob Roberts and directed by Mark Cruikshank. On site I managed camera placements, crew access credentials, graphics laptop integration into the vision mixer, timecode cable runs and real-time monitoring of the video signal chain from the side of stage throughout each show.
Studio camera operator for F1 TV at the 2024 Canadian Grand Prix, covering the Tech Talk: 2026 Regulations Explained with Sam Collins and Craig's Deep Dive: Hydraulics with Craig Scarborough, with standby for live studio hits during FP1 and FP2. I operated a Grass Valley LDX86 on a Vinten 75 head and pedestal throughout the day, offering shots to the director for a fluid broadcast.
Directed and vision mixed Track TV for Funny Hands from the F1 Broadcast Hub in London, with output broadcast to spectator screens at the 2024 Chinese Grand Prix in Shanghai and the Emilia Romagna Grand Prix in Imola. Operating in SimplyLive, I managed all broadcast feeds, VTs, graphics, presenter and commentary cues, live quiz segments and real-time communication with sound engineers on the ground across both race countries.
Multi-camera operator for a Q&A with Joe Keery — best known as Steve in Stranger Things, performing as Djo — moderated by Jack Saunders at Third Man Records in London for Something Something. I configured my Sony A7Siii for the artist's close angle and the A7III as a wide of the room, captured B-roll throughout the meet and greet, and supplemented coverage with an iPhone 11 during the event.
Camera operator and assistant across two days at the South Park: Snow Day! game launch pop-up in London for Funny Hands, supporting the Sony FX9 main unit and capturing B-roll on an iPhone 15 Pro Max in Apple Log/ProRes. I rigged three Aladdin All-In-1 lights and assisted the DIT with footage export and colour space management in DaVinci Resolve.
Pre-recorded the Mark Knopfler in Conversation interview and broadcast the Mark Knopfler Guitar Collection sale live from Christie's HQ in London. During the pre-record session I operated the vision mixing control room and recorded dual outputs to Blackmagic Hyperdeck Studio HD Plus units and an ATEM SDI Extreme ISO with SSD backup. For the live sale, I ran the primary stream to Brightcove via Matrox HDX with simultaneous backup streams to Vimeo and YouTube, alongside vision mixing graphics for each output.
Pit and thrust camera operator on the Robbie Williams XXV Tour, covering the Lujo Hotel concert in Bodrum, Turkey and the Summer In The City festival in Bucharest, Romania. Operating a Sony HSC-300 with a monochrome HDVF-550 viewfinder on a ped tripod for the first show, and subsequently handheld the Sony HDC3500 for the second, I tracked Robbie and his performers across dynamic, high-energy stage sets under live direction.
Camera operator for the Paul Carrack concert at the Royal Albert Hall for Wreck Media, managing the wireless signal chain from Blackmagic cameras fitted with Teradek and Accsoon transmitters back to dual ATEM Mini mixers in the gallery, while shooting the show simultaneously on a Blackmagic Pocket Cinema Camera 4K with a 35–100mm lens, working handheld and on monopod from front of stage.
Camera operator at the Bombay Sapphire x Baz Luhrmann "Saw This, Made This" exhibition press launch at the Design Museum in London, operating one of three Sony cameras, running SDI cable and supporting the vMix setup to ensure clean coverage across the event.
Broadcast the Burberry Summer 2024 runway show to TikTok during London Fashion Week — attended by Jason Statham, Kylie Minogue, Bukayo Saka and Jimmy Iovine — generating over 160,000 views on the platform. I ran vMix in parallel with TikTok LIVE Studio, managed backup vMix machines throughout and used a Blackmagic Hyperdeck Studio Pro to loop the recorded show post-broadcast.
Single-camera operator for the Young Arrows Awards 2023 at the BFI in London, filming winner and sponsor interviews on a Sony FX6 with wireless Sony UTX-H2 mic and Sennheiser wired backup, lit with FalconEyes panels and a Zhiyun Molus G200. Cards were exchanged directly with an editing team in an adjacent room for same-day delivery, with a safety record running simultaneously on the camera's second slot.
Two-day shoot producing interview content, B-roll, GIFs and social media assets with the musicians and designers behind the Mastercard Player of the Match trophy for Rugby World Cup 2023. I operated a Sony A7RIV, recorded multi-track audio via a Sound Devices MixPre-6 II with up to four Sony UTX-B2 wireless microphones, and built a full lighting setup comprising an Aputure 600d, Aputure MCs, Nanlite Pavotube 30cs, FalconEyes RX-818 and a wireless monitoring solution via Accsoon CineView SE for client and crew.
Directed and vision mixed the first ever West Ham United Iron Cast Live reactions show to the UEFA Europa League draw at London Stadium for Alex Live, cutting three Sony FX6 cameras — two of them operated — on a Blackmagic ATEM Extreme ISO while calling shots and running talkback throughout the broadcast.
Broadcast the Burberry Autumn Winter 2023 runway show live to TikTok during London Fashion Week via vMix, running main and backup feeds from the OB truck and managing a standby third vMix machine throughout the event.
Broadcast the Christie's 60 Years of James Bond charity auction live to YouTube, Facebook and Brightcove — a landmark sale raising £6,103,500 through lots including a No Time to Die Aston Martin DB5 replica stunt car, an Octopussy Fabergé and The World Is Not Enough Q jet boat. I managed multi-platform streaming, lower third graphics and real-time redundancy monitoring across the full broadcast.
GoPro specialist on Sky's A League of Their Own Season 17 at Elstree Studios, rigging and operating multiple cameras across the show's physical challenges with Romesh Ranganathan, Jamie Redknapp and Micah Richards. I found creative rigging solutions for each challenge setup while keeping all GoPros invisible to the main studio camera set.
One of seven hot head operators on Love Island Poland Season 5 for JakeVision, filmed on location in Spain. I helped install 64 Panasonic AW-UE150 4K PTZ cameras throughout the villa and operated them via AW-RP150 Touchscreen Remote Controller across rotating 8–10 hour shifts, covering host segments with Karolina Gilon, games and live reality sequences throughout the production run.
Broadcast the Burberry Spring Summer 2023 runway show to TikTok via vMix following its postponement in tribute to the Queen, including a pre-show segment hosted by Bree Runway featuring arrivals from Jourdan Dunn, Maya Jama and Burberry Ambassador Bright Vachirawit. I handled vision mixing, talent cuing and live stream management throughout.
Broadcast the Erdem Spring Summer 2023 runway show from outside the British Museum during London Fashion Week for Karma, simultaneously streaming to YouTube, TikTok and Instagram using vMix and OBS with live graphics mixing. The multi-platform signal split required a bespoke routing solution built on the day.
Provided a live client monitor feed during the Hennessy x Zhou Guanyu "Savour the Moment" commercial shoot at Sugar Studios in London, streaming the main Arri Alexa Mini LF camera feed alongside a second Sony A7III angle of the studio to the client via Wirecast and Zoom.
Directed, filmed, edited and graded the music video for Kuba Zaborski's comeback single "Niepotrzebny" ("Unnecessary"), shot in Warsaw on a Blackmagic Pocket 6K with a motorised Slide Kamera HST-2 slider. The project resulted in two published cuts — an original version and a separately edited and graded 2.0 — both released on YouTube.
Operated the first ever Formula E TikTok Live broadcast, streaming the Free Practice session from Formula E's London headquarters in Diriyah and cutting NDI feeds from car and helmet cameras alongside pre-built per-driver graphics in vMix. The broadcast required real-time vertical streaming output — a novel configuration for Formula E's platform operation at the time.
Event photographer for the Poland 2.0 conference at the Royal Institution in London, commissioned by BCG to cover key speakers and delegates throughout the day with images delivered for social media posting in near real-time.
Edited Capital Jingle Bell Ball 2021 show highlights for broadcast on Sky Showcase and Sky Max, working as part of an editorial team based at the O2 Arena across the event weekend. I built the template project ahead of the festival and cut performance content for both broadcast and social platforms under fast-turnaround conditions throughout the shows.
Camera operator on the Marvel: Future Revolution symphonic concert in Warsaw — an international production spanning Brazil, Japan, Korea, Poland and the USA, involving over 170 crew and talent, 40 musicians, a full choral ensemble and 16 Sony cameras, directed by Kamil Pohl and DOP'd by Piotr Odziemek. I covered three Sony FX3s and two GoPro Hero 9s alongside a GoPro Fusion, capturing B-roll across the Beethoven Academy Orchestra and Polish Radio Choir throughout the pre-recorded performance.
Produced, shot and edited a 30-second commercial for the Omnia wireless charging lamp for Étienne Lacoste, working from a purpose-built tabletop setup using a marble surface, acrylic sheet and white backdrop. Shot with a Sony A7III, FalconEyes lights and a Luxceo RGB wand.
Captured behind-the-scenes stills and video on finalist Mori Thomson's submission shoot for the Papaya Young Directors 2021 competition in High Wycombe, alongside a short on-camera interview with Mori about his project and experience — later used in Papaya's sizzle reel.
Produced and livestreamed Aston Merrygold's mini concert from Base Studios in London in collaboration with BeHookd — handling venue recce, crew booking, equipment hire, three-camera vision mixing (Sony FX6, A7Siii and A7III) with live grade, and full stream management to YouTube across the show.
Filmed the UN International Day of Peacekeepers wreath-laying ceremony at the Cenotaph in London alongside Gerard Puigmal, covering ministers, military representatives, police, UN veterans and five defence attachés across a multi-camera setup using the Sony FX6, A7Siii and A7III. Coverage concluded with a second ceremony at UN Green and a recorded voiceover segment with the video's producer David Wardrop.
Produced and operated the Bulgari Arkadia SS21 press livestream at the Bulgari flagship on New Bond Street for BeHookd, coordinating two camera operators and managing vision mixing, graphics playback, audio and Zoom call management throughout.
Produced social media promotional content for two of Basia's singles — "With You" and "Oceans" — including short promo videos, Instagram Stories and a player-style visual incorporating each song's artwork. The "With You" campaign secured a feature on Creative Commission's New Music Friday Instagram.
Designed and operated the technical infrastructure for Klarna's virtual escape room experience for the company's top business clients in December 2020. I engineered a single-SDI cable solution allowing the on-screen actress to move freely around set without signal dropout, paired with a wireless audio system built for clean, delay-free communication within the live Zoom call.
Broadcast the Longplayer Assembly 2020 — a continuous 12-hour live conversation relay featuring 24 leading thinkers including Laurie Anderson, Brian Eno and Jacqueline Springer, marking the 20th anniversary of Jem Finer's thousand-year musical composition. I ran four laptops as individual camera sources into a Roland V1-SDI vision mixer, fed output into Wirecast for graphics and credits overlay, and simultaneously broadcast a separate audio feed to Resonance FM alongside the YouTube stream.
Camera operator across multiple days at Suzuki Presents @TheDriveIn at Blackheath Common, London, running a Sony PMW-300K1 on a hard-wired SDI wide shot of the stage alongside a Sony Z280 with a Domo DTC HD Broadcast RF transmitter for crowd interaction coverage. The event was later featured in the August 2020 edition of TPI Magazine.
Released a charity rap as part of the #Hot16Challenge2 campaign raising funds for the Polish NHS during the COVID-19 pandemic, reaching 8,500 Facebook views, 2,200 YouTube views and a UK radio Top 30 listing on PRS 24. The track was released on all major streaming platforms and was later exhibited as part of Krakow's Ethnographical Museum virtual collection.
Hosted 30 episodes of Meet My Friends over six weeks of the first COVID-19 lockdown — a weekday Instagram Live show featuring conversations with members of my professional creative network. The series subsequently led to paid presenting work.
Produced a behind-the-scenes video series for director Alexandros Tsilifonis's short film Spiral, following cast and crew through prep and production on a Sony A7III and conducting on-camera interviews with key contributors. The finished videos were used to promote the film following its October 2019 release.
Additional camera operator on the second night of Westlife's three-night O2 Arena residency, capturing wide stage shots and crowd reaction footage alongside GoPro coverage of the event.
Documented the Visions Festival in Wrocław, Poland, shooting across multiple outdoor stages throughout the day before moving to river-based coverage during sets from OBWN, NOMAD, EXTE and PHAM.
Back in 2018, me and my friends attended Ed Sheeran’s show in Warsaw where I continued my personal project video series of fan's POV front row experience. Learning from my previous Robbie Williams and Taylor Swift films, I knew what shots I needed to look out for, however, I still kept my eyes open for any interesting moments despite the extremely heavy rain. All of my footage was shot on an iPhone 6, which I subsequently edited in FCPX and released the video on the Ed Sheeran Poland Facebook page as well as my social media channels on the 12th August 2019, 1 year after the show.
Back in 2018, I captured my friend's journey to the front row during Taylor Swift's second concert at Wembley Stadium. Building on my Robbie Williams Prague video, I decided to embark on a personal project and create a series of videos from a concert-goers perspective in order to show the excitement, dedication and madness of the front row experience. All of my footage was shot on an iPhone 6 which was edited in FCPX and despite this being a recap of the previous chapter in her career I thought it would be important to share it with the rest of her fans instead of keeping it archived on a hard drive somewhere. I released the video on my social media channels on the 23rd June 2019, exactly 1 year after the show.
Shot and delivered an official fan video for Robbie Williams' Heavy Entertainment Show tour at the Prague show, filming on GoPro and iPhone 6 across the full concert and editing the finished cut, which was subsequently shared across the official Robbie Williams Facebook, Instagram and YouTube channels.
AV Specialist at Burberry HQ across a multi-month placement, managing in-house event spaces for product presentations, onboardings and international video conferences. Contributed to the September 2017 and February 2018 runway show livestreams, broadcast simultaneously to 350 Burberry stores worldwide. Kit operated included a Barco FSN-150 vision mixer, Yamaha LS9-32 digital mixing console and Panasonic AW-HE130 HD Integrated PTZ cameras.
Camera operator at the reopening of Printworks London, filming Django Django's performance on a Sony FS7 from a rear balcony position — holding a stage wide and managing live aperture adjustments around the venue's lighting changes between songs.
Production assistant on My Time, directed by Giulia Gandini — supporting camera and lighting departments on set and managing child actors and their parents across the shoot day.
On-set runner and lighting assistant on the Fe 203 fashion film at Belt Craft Studios, London, directed by Alexandros Tsilifonis — dressing three separate set configurations and supporting the lighting department during takes.
Broadcast Springback Magazine Live to Facebook and the Bio Paradis cinema in Reykjavik as part of the ICE HOT Dance Platform 2018, directing and cutting between three cameras (Sony EX1, Samsung NX1, Canon 5D Mk III), 13 video sources and multiple guest title graphics across a two-hour live programme.
Livestreamed and captured the Polish Tech Day 2018 conference at Google HQ in London, running a two-camera Facebook Live setup (Sony EX1 and Sony A6500) solo in Wirecast while coordinating with a second operator for interview and event footage feeding a short recap edit.
Livestreamed and documented the Science: Polish Perspectives conferences in Berlin and Oxford across two trips, broadcasting keynote sessions to Facebook and YouTube with same-day upload turnaround after each presentation. The Oxford edition used a two-camera setup (Sony EX1, Canon XC10) with a wirelessly received keynote presentation integrated as a live stream source.
DIT and camera assistant on The Last Bite, directed by Sebastiano Pupino — managing media backups, card tracking and lens changes on the Sony FS7 alongside general production support across the shoot.
Camera department trainee on Killer Weekend, a dark comedy directed by Ben Kent and starring Mark Heap and Sean Verey, shot on RED Weapon 6K with DOP Ewan Mulligan. I managed battery and card logistics, director's monitor setup and floor trolley preparation across the three-week shoot.
Camera trainee across a four-day shoot at The Worx Studios in London for the Live Life, Give Life organ donation awareness campaign — covering three-camera interview setups, a music session and content featuring children, and supporting complex Teradek wireless video configurations throughout.
Edited the trailer for Calais Children: A Case To Answer under a one-day deadline, subsequently delivering French, Italian, Spanish and German language versions with new voiceover tracks and subtitles.
Additional camera operator at the 10th Congress of Polish Student Societies in Cambridge, covering debate panels, interviews and general views alongside lead videographer Michał Baranowski across the two-day event.
Just before the release of Ed Sheeran's third album "Divide", I decided to recut the "Shape of You" music video to the song "Don't" as in my opinion it suited the song much better. I managed to mix it with the Beats by Dre commercial and the final result can be seen on YouTube.
Production assistant on Red, directed by Branco Tomovic — managing extras, coordinating talent calls and supporting the production team throughout the shoot.
Video editor on Gadget, a short film produced during the MA programme at Goldsmiths University — cutting the project in Avid Media Composer 8.4.
Camera crew on Language Is A Virus From Outer Space at the Queen Elizabeth Hall — a large-scale multimedia performance celebrating William S. Burroughs' centenary — supporting the recording intended for commercial DVD release.
